All The Right Moves - One Repulic

All the right friends
In all the right places
So yeah, we're going down
They've got all the right moves
In all the right faces
So yeah, we're going down

Let's paint the picture
Of the perfect place
They've got it better then when anyone's told ya
They'll be the King of Hearts, and your the Queen of Spades
Then we'll fight for you like we were your soldiers

I know we've got it good
But they've got it made
And the grass is getting greener each day
I know things are looking up, but soon they'll take us down
Before anybody's knowing our name

They've got...

All the right friends in all the right places
So yeah, we're going down
They've got
All the right moves in all the right faces
So yeah, we're going down

They say
Everybody knows, everybody knows where we're going
Yeah, we're going down
They say
Everybody knows, everybody knows where we're going
Yeah, we're going down

Do you think I'm special?
Do you think I'm nice?
Am I bright enough to shine in your spaces?
Between the noise you hear, and the sounds you like
Are we just sinking in the ocean of faces?
It can't be possible... the rain can fall
Only when it's over our heads.
The sun is shining everyday, but it's far away.
Over the world that's dead.

They've got, they've got...

All the right friends in all the right places
So yeah, we're going down
They've got
All the right moves in all the right faces
So yeah, we're going down
(Repeat Once)

They say
Everybody knows, everybody knows where we're going
Yeah, we're going down
They say
Everybody knows, everybody knows where we're going
Yeah, we're going down

It don't matter what you see
I know I could never be
Someone that'll look like you.
It don't matter what you say
I know I could never fake
Someone that could sound like you.

All the right friends in all the right places
So yeah, we're going down
They've got
All the right moves in all the right faces
So yeah, we're going down
(Repeat once)

They say
Everybody knows, everybody knows where we're going
Yeah, we're going down
They say
Everybody knows, everybody knows where we're going
Yeah, we're going down

Yeah, we're going down(repeat twice)

All the right moves... heeey
Yeah we're going down
They say
All the right moves... heeey
Yeah we're going down

Black Eyed Peas Profile

will.i.am and apl.de.ap first began performing and rapping together around Los Angeles in 1989. Eventually they formed the group Atban Klann with Dante Santiago, one of their friends. They caught the attention of the nephew of Jerry Heller, manager of Ruthless record label president Eazy-E. Atban Klann was signed to Ruthless in 1992, but when Eazy-E died in 1995, they still had not released a record.

Band Members:

• will.i.am
• apl.de.ap
• Taboo
• Fergie

The First Black Eyed Peas Albums:

With the death of Eazy-E, Atban Klann were dropped from Ruthless, but it was just the beginning for will.i.am and apl.de.ap. They replaced Dante Santiago with Taboo and added Kim Hill as a background vocalist. This lineup signed with Interscope Records and released two critically acclaimed albums. Behind the Front appeared in 1998 and reached the lower range of the US album chart. 2000's Bridging the Gap climbed even higher with guests that included Macy Gray.

Quote from Black Eyed Peas' Taboo:

From interview with Live Daily:

"When we make these records, we don't expect them to be No. 1. We don't expect the success of it because we go in thinking, 'This could be our last record so let's go out with a bang.'"

Elephunk:

Despite the critical success of their previous albums, the pop music world wasn't quite prepared for 2003's Elephunk. Kim Hill was no longer with the group and had been replaced by Stacy Ferguson aka Fergie. This lineup created a wildly eclectic mix of music rooted in hip hop but drawing influences from a vast musical palette. The album featured their first top 10 pop hit, the anti-war "Where is the Love?" <Listen>

Trivia Fact About Black Eyed Peas:

will.i.am and apl.de.ap were only in 8th grade when they first started performing together.

Monkey Business and Beyond for Black Eyed Peas:

The Black Eyed Peas next album Monkey Business was one of the most eagerly awaited pop albums of 2005. Critical response was lukewarm, but fans enthusiastically embraced the band's new music. "Don't Phunk With My Heart" <Listen> and "My Humps" <Listen> both reached the pop top 3. The group took home their second Best Rap Duo or Group Grammy Award in early 2006 for "Don't Phunk With My Heart." Black Eyed Peas were selected to headline the Honda Civic Tour in the spring.

Following Monkey Business the Black Eyed Peas went on hiatus from recording while group members pursued solo projects. Fergie became a solo superstar with four #1 pop singles from her debut album The Dutchess. will.i.am also pursued a number of independent projects including the song "Yes We Can" that helped carry Barack Obama to victory in the 2008 presidential election.

The next Black Eyed Peas album The E.N.D. (Energy Never Dies) was released in June 2009. The first single "Boom Boom Pow" became the group's first #1 hit in the US

Orianthi Profile

ALL ABOUT ORIANTHI

At 24 years old, Orianthi has already experienced what most aspiring musicians only dream of. She's opened for her hero (Steve Vai), backed an Idol (Carrie Underwood), traded solos with a legend (Carlos Santana) and shared the stage with the King of Pop (Michael Jackson). What's left to conquer? The world stage, for one, and this guitar wunderkind has her sights clearly set on the road ahead.

After a performance with Carrie Underwood on stage at the 2009 Grammy Awards the blogosphere was buzzing with news of this little-known guitar prodigy. It prompted Michael Jackson to call with an offer for her to be his guitarist for his dates at the O2 Arena in London. When offered the gig in Michael Jackson’s live band, Orianthi joined a prestigious line of guitar players including Eddie Van Halen, Santana, Slash, Steve Stevens, Jennifer Batten and Larry Carlton. Sadly the tour was not to be and music lost an icon. “Working with Michael was a life-changing experience,” Orianthi reflects, “One I will never forget.”

Her story starts in Adelaide on the southern tip of Australia where, at the age of six, Orianthi began taking an interest in her dad's record collection. "Jimi Hendrix, Eric Clapton, Cream, Santana… he was into guitar players that are real songwriters," she boasts. Growing up in the 80s, a decade remembered for its many guitar greats, Orianthi also listened to a lot of Whitesnake, Van Halen and Def Leppard. Her father, who used to be a player in a Greek band, also kept plenty of instruments around the house, and it didn't take long before Orianthi strummed her first chord. Mastering the six-string came naturally.

"When I was 11, Carlos Santana came to play Adelaide and that show really affected me," she recounts. “I begged my dad to get me a second hand electric guitar so I could be like Carlos, and that was it, no more acoustic. After that, I would buy all of Carlos' videos — on VHS! — which I kept rewinding to try and learn his solos. I totally wore out the tapes."

Some seven years later when Carlos Santana passed through Adelaide again

Carlos' brother arranged a sound-check meeting between the guitar god and his young disciple after hearing some of her music. A sound check jam evolved into an invitation to join him on stage where Orianthi played for about 35 minutes and took a solo in front of a hometown crowd. Performances, tours and guest appearances with Steve Vai, ZZ Top and Prince have kept Orianthi busy up to this point.

But guitar is far from Orianthi’s only means of expression. Before she received the call from the King of Pop, Orianthi had already been hard at work on her upcoming album, Believe, on which she sings, writes and leads her own band. Working with Geffen Records Chairman and A&R veteran Ron Fair and producer Howard Benson (All American Rejects, Daughtry, My Chemical Romance, Three Days Grace) her fierceness of character has made its way to songs that will simply knock the socks off of any boy in the rock star schoolyard.

Orianthi packs modern girl-power punch into every turn of phrase, but it’s the shredding that takes her brand of rock to an entirely new level. Songs like “Suffocated” and “Think Like A Man” are anthemic rock tracks recalling at time Evanescence, Avril Lavigne, Paramore and even a less-music row more-sunset strip Taylor Swift. First single “According To You” is a catchy tale of an ungrateful boyfriend with a killer guitar solo. The result: a thunderous, hook and riff driven debut that sounds larger than life. If, for a moment, you’ve thought the music world could use another taste of The Runaways’ Joan Jett, let us introduce you to Orianthi.

Telephone - Lady Gaga ft Beyonce

[Lady Gaga]
Hello, hello, baby
You called, I can't hear a thing.
I have got no service
in the club, you say, say
Wha-Wha-What did you say, huh?
You're breaking up on me
Sorry, I cannot hear you,
I'm kinda busy.

K-kinda busy
K-kinda busy
Sorry, I cannot hear you, I'm kinda busy.

Just a second,
It's my favorite song they're gonna play
And I cannot text you with
A drink in my hand, eh?
You shoulda made some plans with me,
You knew that I was free.
And now you won't stop calling me;
I'm kinda busy.

Stop callin', stop callin',
I don't wanna think anymore!
I left my head and my heart on the dance floor.
Stop callin'', stop callin,
I don't wanna talk anymore!
I left my head and my heart on the dance floor.

Eh, eh, eh, eh, eh, eh, eh, eh, eh
Stop telephonin' me!
Eh, eh, eh, eh, eh, eh, eh, eh, eh
I'm busy!
Eh, eh, eh, eh, eh, eh, eh, eh, eh
Stop telephonin' me!
Eh, eh, eh, eh, eh, eh, eh, eh, eh

Can call all you want,
but there's no one home,
and you're not gonna reach my telephone!
Cuz I'm out in the club,
and I'm sippin that bubb,
and you're not gonna reach my telephone!

Call when you want,
but there's no one home,
and you're not gonna reach my telephone!
Out in the club,
and I'm sippin' that bubb,
and you're not gonna reach my telephone!

[Beyonce]
Boy, the way you blowin' up my phone
won't make me leave no faster.
Put my coat on faster,
leave my girls no faster.
I shoulda left my phone at home,
cuz this is a disaster!
Callin' like a collector -
sorry, I cannot answer!

Not that I don't like you,
I'm just at a party.
And I am sick and tired
of my phone r-ringing.
Sometimes I feel like
I live in Grand Central Station.
Tonight I'm not takin no calls,
cause I'll be dancin.

Cause I'll be dancin
Cause I'll be dancin
Tonight I'm not takin no calls, cause I'll be dancin!

Stop callin', stop callin',
I don't wanna think anymore!
I got my head and my heart on the dance floor.
Stop callin', stop callin',
I don't wanna talk anymore!
I got my head and my heart on the dance floor.

Stop callin', stop callin',
I don't wanna think anymore!
I got my head and my heart on the dance floor.
Stop callin', stop callin',
I don't wanna talk anymore!
I got my head and my heart on the dance floor.

Eh, eh, eh, eh, eh, eh, eh, eh, eh
Stop telephonin' me
Eh, eh, eh, eh, eh, eh, eh, eh, eh
I'm busy!
Eh, eh, eh, eh, eh, eh, eh, eh, eh
Stop telephonin' me!
Eh, eh, eh, eh, eh, eh, eh, eh, eh

Can call all you want,
but there's no one home,
and you're not gonna reach my telephone!
Cuz I'm out in the club,
and I'm sippin' that bubb,
and you're not gonna reach my telephone!

Call when you want,
but there's no one home,
and you're not gonna reach my telephone!
Cuz I'm out in the club,
and I'm sippin' that bubb,
and you're not gonna reach my telephone!

My telephone!
M-m-my telephone!
Cuz I'm out in the club,
and I'm sippin' that bubb,
and you're not gonna reach my telephone!

My telephone!
M-m-my telephone!
Cuz I'm out in the club,
and I'm sippin that bubb,
and you're not gonna reach my telephone!

We're sorry the number you have reached is not in service at this time.
Please check the number, or try your call again.

Morning After Dark - Timbaland ft SoShy

Hello Mr. Mosley
I’m glad you’re my maker
My Loyalty lies in your hands, you’re my breath taker
Your body, your kiss is in unknown demand
So take command, go Timbo

I be the same when it all goes up
I be the same when it all goes down
Not the first one, open it up
I be the last one closin it out
Don’t know if I’ll give you a shot yet
Lil Mama I’m peepin your style
Do I think you’re dope enough, yup
One way of findin it out
The way you came at me, boo
Don’t care, not afraid I’m like Wild
Really want it from head to toe
Question if she gon let it out
Anyway the hour glass go
I don’t worry anyhow
Why don’t we see where it go
Let’s figure it out

[Chorus]
When the cats come out the bats come out to playy Yeahh
In the morning after
The dawn is here, be gone be on your wayy Yeahh
In the morning after
When the cats come out the bats come out to playy Yeahh
In the morning after
The dawn is here, be gone be on your wayy Yeahh
In the morning after Dark

Owww, Oooohhh Owww

Come on SoShy

[SoShy]
I got a little secret for ya
I never sleep when comes the night
But everytime I smack my fingers
I switch back into the light
My moon belong to your sun
Your fire is burning my mind
Is it love or is it lust
Something that I just can’t describe (ah)
Am I the one and only (ah)
Cause you’re the only one (ah)
It felt so long and lonely (ah)
Waiting for you to come
It’s lookin bright and early
I’m willing to close my eyes
This is the unusual story
Timbo and SoShy

[Chorus]
When the cats come out the bats come out to playy Yeahh
In the morning after
The dawn is here, be gone be on your wayy Yeahh
In the morning after
When the cats come out the bats come out to playy Yeahh
In the morning after
The dawn is here, be gone be on your wayy Yeahh
In the morning after Dark

Heyy, Heyy, (ay) Heyy, Timbo!

You talk about takin it slow
I’m talkin about takin it Wild
Don’t wanna be too up front no
Baby you know it’s my style
I’m talkin about lightin it up
You talkin about dimmin it down
Don’t think about lettin it go
But I’ve never seen no king that bows
Yes I’m the one and only
You know I see right through ya
I get it your magnetic
So you draw me right to ya
Maybe I give you a shot yup
Maybe you deserve the crown
Won’t give you a treasure map yet
Cause you’ll figure it out

[Chorus]
When the cats come out the bats come out to playy Yeahh
In the morning after
The dawn is here, be gone be on your wayy Yeahh
In the morning after
When the cats come out the bats come out to playy Yeahh
In the morning after
The dawn is here, be gone be on your wayy Yeahh
In the morning after Dark

Dark dark dark dark dark
In the morning after dark
Dark dark dark dark dark
In the morning after dark
Please don’t leave me girl
In the morning after dark
Please don’t leave me girl

(Please don’t leave me girl)

When the cats come out the bats come out to playy
When the cats come out the bats come out to playy
Play play
The dawn is here be on your way
When the cats come out the bats come out to playy
Play play play
The dawn is here be on your way (way way way way…)